Capstone Bible
  1. Library
  2. Topics
  3. Thanksgiving Hymns

The Qumran Hymn Collection, and the Longest Argument About Who Says "I"

Thanksgiving Hymns

Also called Hodayot, Thanksgiving Scroll

Some thirty psalms of thanksgiving from the first Qumran cave, most of them opening "I thank you, Lord" — and sixty years of argument about whether the man speaking in them is one particular man.

Siglum
1QHᵃ
Type
Parchment scroll, received in two lots and reconstructed as twenty-eight columns
Language
Hebrew
Contents
Roughly thirty psalms of thanksgiving, most opening "I thank you, O Lord." Not biblical: these are compositions of the community that kept them, though they are built throughout out of biblical phrasing. Fragmentary copies of the same collection were found in Cave 4
Written
Late first century BC to early first century AD, on the Israel Museum's own record. No radiocarbon figure is given here: the published results for the Qumran scrolls have been argued to read young because of castor oil applied during 1950s conservation, and none was traced for this scroll Traditional dating
Origin
Judea. Whether these copies were made at Qumran or brought there is not known
Found at
Qumran, Cave 1
Found in
1947
Found by
Bedouin of the Ta'amireh tribe; bought in Jerusalem by E. L. Sukenik of the Hebrew University. The Israel Museum names no individual finder, and the names given in most retellings are traditional
Now held at
The Shrine of the Book, Israel Museum, Jerusalem
Shelfmark
95.57/1-51

Bought in Jerusalem in 1947, in Two Lots

E. L. Sukenik of the Hebrew University bought this scroll in Jerusalem in 1947, among the three of the first seven Cave 1 scrolls that went to him rather than to the Syriac Orthodox archbishop who bought the other four. It reached him in two separate lots and in poor condition, and what Sukenik published in 1954-55 was a partly legible thing: a run of columns and a heap of loose fragments. The exact tally usually repeated — so many columns in the first group, so many plus sixty-six fragments in the second — traces only to an encyclopedia article and is not printed here as a figure. He gave it the name it still has, from a rabbinic word for thanksgivings, because so many of its psalms open with the same formula — 'odekha 'adonai, "I thank you, O Lord." The Israel Museum catalogues the object as parchment from Qumran Cave 1, late first century BC to early first century AD, accession 95.57/1-51; the dimensions on its record, 32 cm high and 61.5 cm long, are for the catalogued piece and not for the whole roll, which was far longer.

What a reader meets today is not what Sukenik published. The scroll was reconstructed twice over, independently: H. Stegemann worked out the original order in a Heidelberg dissertation of 1963, E. Puech published his own reconstruction in 1988, and the critical edition that finally carried Stegemann's work into print — completed by E. M. Schuller after his death — appeared in 2009 as volume 40 of Discoveries in the Judaean Desert. The reconstructed roll has twenty-eight columns. This matters for anyone reading older books about it, and it is the sort of trap that quietly wrecks a footnote: column references written before 2009 are in Sukenik's numbering and do not correspond to the numbering everyone now uses. A citation of "1QH 5" in a book from the 1970s and a citation of the same words today will not be the same column.

What the Hymns Say

The psalms are the prayers of someone who thinks very little of himself and a great deal of the God he is addressing. The Israel Museum prints one of them on its own object record, and it is a fair sample of the whole: "I thank Thee, O Lord, for Thou hast placed my soul in the bundle of the living, and hast hedged me about against all the snares of the Pit. Violent men have sought after my life because I have clung to Thy Covenant. For they, an assembly of deceit, and a horde of Belial, know not that my stand is maintained by Thee, and in Thy mercy Thou wilt save my soul since my steps proceed from Thee." That opening image is lifted straight out of Scripture — Abigail tells David that his life will be "bound in the bundle of the living" — and the hymns are made of such pickups throughout.

The texture is worth noticing because it is how these psalms think. M. Dhont's study of column 16, which is freely readable, traces one long metaphor of a garden: a shoot and a planting, which is the language of Isaiah 60:21 and 61:3, and a tree whose roots reach water, which is Jeremiah 17:8 and the opening psalm of the Psalter. There is a difference from the biblical thanksgiving psalms all the same, and M. B. Johnson puts his finger on it: the biblical ones look back on a rescue that has happened, and these look forward, thanking God for a deliverance still expected. Several of the compositions carry a heading marking them for the maskil, the instructor charged with teaching the community — an office the Community Rule describes, and a detail that will matter a great deal in the next section.

Who Is the "I"?

Sukenik himself floated the idea that these were the personal writings of the Teacher of Righteousness, the founding figure the Damascus Document and the Habakkuk Pesher both refer to, and three German dissertations turned that suggestion into a system. G. Jeremias in 1963, J. Becker in 1964 and H.-W. Kuhn in 1966 divided the collection into "Teacher Hymns" — a cluster of first-person compositions specific and personal enough to be the Teacher's own — and "Community Hymns," the rest, taken to voice the ordinary membership. For decades that division was simply how the Hodayot were taught. It is worth saying plainly when it was built: before the scroll had been reliably reconstructed, and before the fragmentary Cave 4 copies of the same collection were available to check it against.

Both of those things arrived, and the scheme has been under sustained pressure since — not from an opposing camp, but by subtraction. One limit on what follows should come first rather than last: the article that still defends the Teacher Hymns hypothesis, M. C. Douglas's in Dead Sea Discoveries in 1999, could not be opened from here, and Crossref carries no abstract for it. So this is an account of the pressure, from the people applying it, and not a fair fight staged between two sides. A. K. Harkins argued in 2008 that the "Community Hymns" were not one thing and needed dividing again, and later took to calling them "non-Teacher Hymns," a label that names them by what they lack. C. A. Newsom went further in 2021, and her own summary is worth quoting whole because it gives away as well as takes: "While that evidence largely confirms the distinctiveness of the group of compositions associated with the Teacher, which are clustered in cols. 10-17, the evidence undermines the cogency of a category of 'Community' hodayot" — which should, she argues, be assigned to the maskil rather than to ordinary sectarians. M. B. Johnson would drop both labels, on the ground that nothing in the scroll identifies its speaker as the Teacher at all. Notice what Newsom does not say: that the cluster in columns 10-17 is distinctive is one claim, and that the Teacher wrote it is another, and she grants the first without the second. A further question sits underneath the whole debate. A. K. Harkins has asked in print whether the first group of Community Hymns was ever materially part of this scroll at all — that is the question her 2018 article puts in its own title — and warns that the run of modern editions projects "an illusory material unity that the Cave 1 hodayot did not enjoy in antiquity."

Scripture references

Sources

Further reading

Reflect

These prayers thank God for a rescue that has not happened yet. What would it change to pray that way this week?

More topics

Capstone Bible is a free interactive study app — a map of every place in this library, a zoomable timeline of biblical and church history, the Bible text with every name in it linked to its article, reading plans and personal notes.

Open Capstone Bible